Showing posts with label That Deadman Dance. Show all posts
Showing posts with label That Deadman Dance. Show all posts

Friday, July 5, 2013

Remembering Babylon

This short novel by David Malouf reminded me of That Deadman Dance by Kim Scott, though it was much shorter and left more gaps for the reader's imagination to fill. Written in 1993, Remembering Babylon won the IMPAC Award, and was shortlisted for the Miles Franklin award and the Man Booker Prize.



The reason that it reminds me of That Deadman Dance is probably because it is about a pioneer settlement on the fringes of other early Australian settlements, and it involves Aboriginals. In That Deadman Dance, it was an Aboriginal that was cared for and became part of the white society, and then didn't fit in with either communities. Remembering Babylon is the reverse - it is about a young white boy who gets thrown off a ship whilst ill, and lives among remote Aboriginals in Northern Queensland for half his life. Once white settlement starts moving as far north as the tribe he is with, he ventures back to his own kind. But he has nearly completely lost the English language, and most of the English body language as well. It is about isolation, racism, and community. His very presence in the community divides it into two: those who will tolerate and in time love him, and those that are determined to drive him away (from fear of something different).
   The voice of the narrator is very stable and removed, which distinguishes this novel even further from That Deadman Dance. Despite being distant (allowing quite lovely descriptive prose), the narrator often has quite profound insight into the characters (which is the only way that you get to know them well, because their description is not focused on). Having such a detached narrator really allows your own feelings to guide you, inside of being guided by a main character's feelings. I suppose this allows for a very broad range of responses to the novel, based on a reader's own background and sensitivities.
   The narrator does take on some traits of the race of characters that the story is focusing on. The description of the landscape is very different when the characters are white (it is always a very hot, stark and feeling of being crowded-in by the bush) and when they are Aboriginal (there seems to be magic in the bush, as well as a peaceful silence). The only time that the whites seem to be clam in their surroundings is when they are at the house of the lady bee-keeper.
   As well as describing the landscape magically, David Malouf also has some beautiful prose describing some of the cultural and spiritual aspects of the Aboriginal people. I have never read anything that expressed and explained another races' culture so well.
   The only downfall with this short novel is that it just short of dribbles off into a nothing ending ...


 

Tuesday, February 28, 2012

That Deadman Dance

Another brilliant Australian novel: That Deadman Dance by Kim Scott. This was the winner of the 2011 Miles Franklin Award. It was shortlisted for the Indie Book Award 2011, and it was a regional winner of the 2011 Commonwealth Writers' Prize.
   This book raises so many issues, but does it in a way that is not obvious - it doesn't stick the issues in your face, it unfolds the issues around the beautiful characters. The story is very touching, but (and this is not necessarily a bad thing) it left me feeling sad and ashamed.


This story is based in Western Australia, in the early white settlements, in the early 1800s on what was known as the 'friendly frontier'.
   The novel is told over periods of time, sometimes looking back on events for the point of view of the old, and sometimes right in the moment with the young. It is told from the point of view of black and white, male and female. The way that Kim Scott has developed a unique voice for each narrator is brilliant - they are subtle and unique and very believable.
   There are traces of understanding and hope, of people rising above their prejudices about skin colour. But then there is a clash of cultures, and inevitably the reader is disappointed (why was I so disappointed, when I know the history of our country? Why did I expect any different?).
   This story has certainly left its mark on me, and I can't articulate the emotion that I'm feeling about it. I just hope that every Australian reads this.